| 000 | 02802cam a2200373 i 4500 | ||
|---|---|---|---|
| 001 | 18640344 | ||
| 003 | OSt | ||
| 005 | 20230124072600.0 | ||
| 008 | 150602s2015 enk b 001 0 eng | ||
| 010 | _a 2015018344 | ||
| 020 | _a9781137406606 (hardback) | ||
| 040 |
_aDLC _beng _cDLC _erda _dDLC |
||
| 042 | _apcc | ||
| 050 | 0 | 0 |
_aPN1995 _b.C6855 2015 |
| 082 | 0 | 0 |
_a384.84 _221 |
| 084 |
_aJNF060000 _aPER004000 _aSOC052000 _2bisacsh |
||
| 100 | 1 |
_aCrisp, Virginia, _d1981- _eauthor. |
|
| 245 | 1 | 0 |
_aFilm distribution in the digital age : _bpirates and professionals / _cVirginia Crisp, Coventry University, UK. |
| 264 | 1 |
_aHoundmills, Basingstoke, Hampshire ; _aNew York, NY : _bPalgrave Macmillan, _cc2015. |
|
| 300 |
_aix, 206 pages ; _c23 cm |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
||
| 504 | _aIncludes bibliographical references (pages 191-203) and index. | ||
| 505 | 8 | _aMachine generated contents note: -- Introduction -- 1. Formal Film Distribution -- 2. 'Independent' Distributors -- 3. Disruptive Innovators -- 4. Informal Distribution: Discs and Downloads -- 5. A Brief History of Film 'Filesharing': From Napster to Mega -- 6. Informal Distribution Networks: Fan 'Filesharing' and Imagined Communities -- 7. Intersections: Pirates Meet Professionals -- Conclusion: Ecologies of Distribution and Shifting Gatekeepers. | |
| 520 |
_a"Film Distribution in the Digital Age critically examines the evolution of the landscape of film distribution in recent years. In doing so, it argues that the interlocking ecosystem(s) of media dissemination must be considered holistically and culturally if we are to truly understand the transnational flows of cultural texts. Through a series of case studies and examples, the book presents the argument that rather than just representing the movement of an economic commodity, the act of film distribution also mediates and facilitates the social and professional relationships of film distributors. The fact that these distributors exist across a number of arenas (online/offline, official/unofficial) does not necessarily mean that their aims and motivations are necessarily distinct and oppositional. Indeed, this book argues that their actions come together to form a complex ecosystem of distribution that should be considered through the metaphor of symbiosis rather than parasitism. "-- _cProvided by publisher. |
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| 650 | 0 | _aMotion picture industry. | |
| 650 | 0 |
_aMotion pictures _xDistribution. |
|
| 650 | 0 |
_aMotion pictures _xMarketing. |
|
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General. _2bisacsh |
|
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2ddc _cBK _n0 |
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| 999 |
_c312 _d312 |
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